1950 年代的攝影作品，像是水墨山水，人總是那麼的渺小。天地總是那麼的遙不可及。一些的荒蕪，一絲的無奈，最終理想的的天人合一，也許在大師，郎靜山的鏡頭下，結構，光影, 暈染，與意境勝過一切的真實與解析.
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To advance, to transpire, to transcent, through music, through space, from mountain to mountian, ocean to ocean, one night club to one religious retreat...
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