To advance, to transpire, to transcent, through music, through space, from mountain to mountian, ocean to ocean, one night club to one religious retreat...
Rainbow accompanied me practicing Yoga this evening around 18:10 in Taipei. My Dear friend, Did you see the beautiful rainbow after the rain? 傍晚六點十分左右,台北天邊出現了美麗的彩虹,陪伴正在練瑜珈的我。 親愛的朋友,你是否瞥見在大雨後,可愛的彩虹?
很像很像。。。。
The Rainbow' My heart leaps up when I behold A rainbow in the sky: So was it when my life began; So is it now I am a man; So be it when I shall grow old, Or let me die! The Child is father of the Man; I could wish my days to be Bound each to each by natural piety. --William Wordsworth
上星期,在台北國家劇院演出了四場的"不可兒戲“ The importance of being Earnest by Oscar Wilde.
由楊世澎導演,余光中文字翻譯,
主演者為盧燕,楊謹華,黃士偉、段旭明,姚坤君,楊千霈。
男演員口齒清晰,創作表演俱佳!老牌演員盧燕更是受觀眾喜愛。
星期六下午,總統夫人周美青女士也到了現場觀賞。
I personally love the Comedy very much, almost a satire I would say, because it has humorously and vividly revealed the injustified value in the high society of England during that period of time. And the dialog was absolutely funny, remarkable and witty. What is Love? What is Marriage? What is the true value of your own identify?
Here are some reviews of this play:
In contrast to much theatre of the time, The Importance of Being Earnest's light plot does not tackle serious social and political issues, something of which contemporary reviewers were wary. Though unsure of Wilde's seriousness as a dramatist, they recognised the play's cleverness, humour and popularity with audiences.[29]George Bernard Shaw, for example, reviewed the play in the Saturday Review, arguing that comedy should touch as well as amuse, "I go to the theatre to be moved to laughter."[30] Later in a letter he said, the play, though "extremely funny" was Wilde's "first really heartless [one]".[31] In The World, William Archer wrote that he had enjoyed watching the play but found it to be empty of meaning, "What can a poor critic do with a play which raises no principle, whether of art or morals, creates its own canons and conventions, and is nothing but an absolutely wilful expression of an irrepressibly witty personality?"[32]
In The Speaker, A.B. Walkey admired the play and was one of few see it as the culmination of Wilde's dramatical career. He denied the term "farce" was derogatory, or even lacking in seriousness, and said "It is of nonsense all compact, and better nonsense, I think, our stage has not seen."[33]H.G. Wells, in an unsigned review for the Pall Mall Gazette, called Earnest one of the freshest comedies of the year, saying "More humorous dealing with theatrical conventions it would be difficult to imagine."[34] He also questioned whether people would fully see its message, "..how Serious People will take this Trivial Comedy intended for their learning remains to be seen. No doubt seriously."[34] The play was so light-hearted that many reviewers compared it to comic opera rather than drama. W.H.Auden called it "a pure verbal opera", while The Times wrote that "The story is almost too preposterous to go without music."[14]
How many loved your moments of glad grace, And love your beauty with love false or true, But One man loved the pilgrim soul in you, And loved the sorrows of your changing face.... 多少人愛戀你的神釆飛揚, 愛你的美貌,而用情或假或真, 但有一個人愛你朝聖的靈魂 也愛你臉上變化的憂傷.... ---Yeats
There are two ways to purify one's obscurations; conventional and ultimate. The conventional way is to engage in the practices of visualizing, chanting, engendering remorse, and making resolutions. The ultimate practice is to purify the deluded state of mind by means of the three fold purity, by simply rest in rigpa, in non dual awareness.
The connects one's mind with all the negative karma or imprints from the past is conceptual thinking !!! The moment conceptual thinking is absent there is nothing to tie samsara together; it is cut, just like a rope that has been cut cannot bind. Look into what samasara is based on, and see it is the moment to moment delusion. This string of deluded moments is known as the continuous instant of delusion, and is the basis of samsara. Among the five aggregates, it is called formation. The only thing that can really cut samsara is the moment of rigpa. Rigpa totally makes samsara fall apart. ( p.103)
---Repeating the Words of the Buddha by Tulku Urgyen Rinpoche
Salzburg is the fourth-largest city in Austria (after Vienna, Graz and Linz) and the capital of the federal state of Salzburg. Its "Old Town", with its world famous baroque architecture, is one of the best-preserved city centers in the German-speaking world and was listed as a UNESCO World Heritage Site in 1997.
]Origins of name
The name Salzburg literally means "Salt Castle", and derives its name from the barges carrying salt on the Salzach river, which were subject to a toll in the 8th century.
Mr. Rachman’s transition from journalism to fiction writing is nothing short of spectacular. “The Imperfectionists” is a splendid original, filled with wit and structured so ingeniously that figuring out where the author is headed is half the reader’s fun. The other half comes from his sparkling descriptions not only of newspaper office denizens but of the tricks of their trade, presented in language that is smartly satirical yet brimming with affection. --New York Times
In the case of The Imperfectionists, written during six-month sabbaticals from the Herald Tribune, structure is fundamental to the architecture of the storytelling. Individual chapters are told from different points of view, from the paper’s correspondents and stringers to its editor, publisher and financial officer.
“I felt that if I represented the whole enterprise with each of the jobs, it would help to make the whole project coherent,” says Rachman.
“I also liked the idea of combining two forms of fiction I loved into one book. I had ideas for stories and I thought that if I could tie them together with a common thread, then perhaps I could combine the slightly longer-term experience of reading a novel with the episodic experience of the short story.”
It is a thoughtful idea by Warner Taiwan to show these live concerts in the Theater, since music lovers do not have much opportunity to watch these wonderful live performances in Taipei, unless we travel....
Opera: Turandot 杜蘭朵公主 by Puccini
Performance Place: Spain
Acting Scene: The Imperial Palace, 北京紫禁城
Performance Director: Chen Kai-Ge 陳凱歌
Our Beloved Aria: " Nessun Dorma "
Sleepless in the Night, 公主夜未眠 ....
http://youtu.be/O0Sx5lbVlQA
引述英文翻譯如下: No one sleeps, no one sleeps... Even you, o Princess, In your cold room, Watch the stars, That tremble with love And with hope. But my secret is hidden within me; My name no one shall know, no, no, On your mouth I will speak it* When the light shines, And my kiss will dissolve the silence That makes you mine. No one will know his name And we must, alas, die. Vanish, o night! Set**, stars! At daybreak, I shall conquer!
The Fact is that I truly do not want to become Ophelia, a total tragic figure !!
Inspired by Shakespeare’s Hamlet, Ophelia tragically drowns in the lake. The Pre-Raphaelites were fascinated by horticulture, so Millais recorded plants indigenous to the English countryside: a willow tree, a dog rose and a mallow sweet. Other flowers are more symbolic: roses for innocence, violets for faithfulness and poppies for death. The figure was painted separately in the studio, in a bath heated by candles. Unfortunately the ‘heating system’ broke, the model caught a severe cold, and Millais was sued by her father.
Ophelia
Of all the pivotal characters in Hamlet, Ophelia is the most static and one-dimensional. She has the potential to become a tragic heroine -- to overcome the adversities inflicted upon her -- but she instead crumbles into insanity, becoming merely tragic. This is because Ophelia herself is not as important as her representation of the dual nature of women in the play. Ophelia's distinct purpose is to show at once Hamlet's warped view of women as callous sexual predators, and the innocence and virtue of women.The extent to which Hamlet feels betrayed by Gertrude is far more apparent with the addition of Ophelia to the play. Hamlet's feelings of rage against his mother can be directed toward Ophelia, who is, in his estimation, hiding her base nature behind a guise of impeccability.
Through Ophelia we witness Hamlet's evolution, or de-evolution into a man convinced that all women are whores; that the women who seem most pure are inside black with corruption and sexual desire. And if women are harlots, then they must have their procurers. Gertrude has been made a whore by Claudius, and Ophelia has been made a whore by her father. In Act II, Polonius makes arrangements to use the alluring Ophelia to discover why Hamlet is behaving so curiously. Hamlet is not in the room but it seems obvious from the following lines that he has overheard Polonius trying to use his daughter's charms to suit his underhanded purposes. In Hamlet's distraught mind, there is no gray area: Polonius prostitutes his daughter. And Hamlet tells Polonius so to his face, labeling him a "fishmonger" (despite the fact that Polonius cannot decipher the meaning behind Hamlet's words). As Kay Stanton argues in her essay Hamlet's Whores:
Perhaps it may be granted...that what makes a woman a whore in the Hamlets' estimation is her sexual use by not one man but by more than one man.... what seems to enrage [Hamlet] in the 'nunnery' interlude is that Ophelia has put her sense of love and duty for another man above her sense of love and duty for him, just as Gertrude put her sense of love and duty for her new husband above her sense of love and duty for her old. Gertrude chose a brother over a dead Hamlet; Ophelia chooses a father over a living Hamlet: both choices can be read as additionally sexually perverse in being, to Hamlet, 'incestuous'. (Stanton,New Essays on Hamlet 168-9)
But, to the rest of us, Ophelia represents something very different. To those who are not blinded by hurt and rage, Ophelia is the epitome of goodness. Very much like Gertrude, young Ophelia is childlike and naive. Unlike Queen Gertrude, Ophelia has good reason to be unaware of the harsh realities of life. She is very young, and has lost her mother, possibly at birth. Her father, Polonius, and brother, Laertes, love Ophelia tremendously, and have taken great pains to shelter her. She is not involved with matters of state; she spends her days no doubt engaged in needlepoint and flower gathering. She returns the love shown to her by Polonius and Laertes tenfold, and couples it with complete and unwavering loyalty. "Her whole character is that of simple unselfish affection" (Bradley 130). Even though her love for Hamlet is strong, she obeys her father when he tells her not to see Hamlet again or accept any letters that Hamlet writes. Her heart is pure, and when she does do something dishonest, such as tell Hamlet that her father has gone home when he is really behind the curtain, it is out of genuine fear. Ophelia clings to the memory of Hamlet treating her with respect and tenderness, and she defends him and loves him to the very end despite his brutality. She is incapable of defending herself, but through her timid responses we see clearly her intense suffering:
Hamlet: ...I did love you once. Ophelia: Indeed, my, lord, you made me believe so. Hamlet: You should not have believed me...I loved you not. Ophelia: I was the more deceived.
Her frailty and innocence work against her as she cannot cope with the unfolding of one traumatic event after another. Ophelia's darling Hamlet causes all her emotional pain throughout the play, and when his hate is responsible for her father's death, she has endured all that she is capable of enduring and goes insane. But even in her insanity she symbolizes, to everyone but Hamlet, incorruption and virtue. "In her wanderings we hear from time to time an undertone of the deepest sorrow, but never the agonized cry of fear or horror which makes madness dreadful or shocking. And the picture of her death, if our eyes grow dim in watching it, is still purely beautiful". (Bradley, Shakespearean Tragedy 132-3). The bawdy songs that she sings in front of Laertes, Gertrude, and Claudius are somber reminders that the corrupt world has taken its toll on the pure Ophelia. They show us that only in her insanity does she live up to Hamlet's false perception of her as a lascivious woman.
Palmer 1994, Romanee 1996, Bollinger at Stay, Taipei 101
The Restaurant Stay at Taipei 101 serves the best French Cuisin in Taipei !!
Beautiful and colorful Macaron at Ballavita Salone De Joel Robucheon, Bellavita, Taipei
Beautifully presented !! I always think these colorful deserts were made for displayed, to appreciate in your eyes, not for tasting ... 好漂亮好漂亮...., 好想學會怎麼做的喔....! 來學做法國點心去~~~
One sold on Wednesday for $120 million, two others were stolen in 2004. Describing his haunting vision, Munch wrote this poem,
“I was walking along the road with two Friends / the Sun was setting – The Sky turned a bloody red / And I felt a whiff of Melancholy – I stood / Still, deathly tired – over the blue-black / Fjord and City hung Blood and Tongues of Fire / My Friends walked on – I remained behind / – shivering with Anxiety – I felt the great Scream in Nature – EM.”
Mysterious thing, acoustics. Despite decades of scientific research and the development of arcane mathematical models to determine how to produce the best-sounding space for live classical music, no one can really predict how a new concert hall will sound in the flesh. But here in Vienna, I think I've found an answer: instead of hard scientific data, what you need is about 50 life-size, gilded, topless female sculptures. They are stationed all around the perimeter of the Goldener Saal of the Musikverein (you probably know it, even if You've not been lucky enough to go there - it's the hall where the Vienna Philharmonic play their New Year's Day Concerts), and since 1870, these impassive visions of neoclassical femininity have watched silently over everything from the premieres of Bruckner symphonies to Leonard Bernstein's performances of Mahler.